AJ’s Screening Room: The Intense Intimacy of Gay Rom-Dram ‘Weekend’

October 6, 2023
AJ SLOAN

Watch Weekend This Weekend. No, Not The Weeknd. Just Weekend.

We’ve all been there. Whether you find a three-day fling on vacation with a bright-eyed local or you finally work up enough nerve to make a move on the guy you’ve always wanted to right before moving away, most of us have found ourselves in lust with someone that we are soon to never see again (or at least not for a while). This begs the question: Is it the all too finite nature of the connection that adds to the intensity of it? Does the brevity bring with it all of the “what ifs” and “if onlys” that fuel the fusion? If the carrot wasn’t just out of reach, would the horse continue pursuing it?

2011’s Weekend (directed by Andrew Haigh) is a whirlwind of a film that subtly explores sensually raw themes and the complex dynamics of emotional and physical connections, all within the constraint of a brief encounter lasting just one weekend (clock’s ticking, gents). This British rom-dram stands out not only for its honest depiction of fleeting connections and the profound impact they can have on us.

Weekend follows the story of Russell (Tom Cullen), a lifeguard, and Glen (Chris New), an aspiring artist. The film kicks off when Russell, who identifies as gay but exhibits shame about his sexuality, goes out for a night with his straight homies. In comes Glen, who is clearly more confident with his queerness. As movies go, they are immediately attracted to each other go and to boink each other’s brains out that same night (the gay “hello”).

The film's homoerotic themes are subtle but undeniably powerful. Haigh incorporates a naturalistic approach, allowing the characters' interactions and dialogues to gradually reveal their deepening attraction and arousal. The sexual tension is deliciously palpable, so much so you’ll feel it knocking your tonsils (4D experience). The camera captures their wordless longings through lingering eye-fucking and subtle touches. The authenticity of their attraction lies in its simplicity and relatability, making it universally resonant.

The film also points to the theme of temporality, as both Russell and Glen are aware that their connection has an impending expiration date of just two days. This awareness creates a sense of urgency and intimacy that propels their relationship forward almost at a montage’s pace. They share their vulnerabilities, fears, and aspirations. The fleeting nature of their encounter raises the value of each and every moment, making the two to be that much more open and honest with each other in ways they likely would not have been otherwise.

The film also offers a broader commentary on the communal desire for real connection. Its themes of intimacy, vulnerability, and the transient nature of human interactions (especially gay human interactions) are too relatable. It serves as a reminder that authentic connections can surface in unexpected places and that sometimes two days can have a greater impact than two years.

Andrew Haigh's direction, coupled with the raw performances of hotties Tom Cullen and Chris New, brings authenticity and depth to the characters and their connection. This film captures the complexities of human interaction. Check it out for yourself. I dare you.